The inflection of verbs is known as “conjugation”. It consists of changes in form to show differences in person, number, tense, mood, and voice. In this post we will start our look at the present tense in Pali.
By now you may have realised that the available tools (DPR & Pali Lookup) are good but not infallible when it comes to detecting the inflections of Pali verbs.
Nouns tend to be straightforward, there are many groups but the ending are fairly regular. However, verbs and their derivatives can be very irregular and multitudinous and not all the variations are caught by the automated parser - nor the dictionary. This then can cause the amateur translator hours of frustration in their attempts to search for that one illusive word not in the dictionary.
By now you may have realised that the available tools (DPR & Pali Lookup) are good but not infallible when it comes to detecting the inflections of Pali verbs.
Nouns tend to be straightforward, there are many groups but the ending are fairly regular. However, verbs and their derivatives can be very irregular and multitudinous and not all the variations are caught by the automated parser - nor the dictionary. This then can cause the amateur translator hours of frustration in their attempts to search for that one illusive word not in the dictionary.
So at some point in ones studies it becomes pragmatic to delve into the process of inflection. This, and the next few posts, will hopefully shed some light on the whole affair.
The various Pali grammar guides out there use differing methods to classify verbs and employ different terminologies resulting in a whole mass of confusion – for me at least. In this post I’ll try to keep it as simple as I can from what I’ve managed to glean. As such, accuracy maybe compromised – so be warned.
First, here's an introductory video tutorial about the mechanics of verb inflection which explains many of the terms we'll be using below.
Intro to Verb Inflection: Learn Pali Language #21
Roots & stems
All verbs are said to come from a set of basic elements called verb roots, or just roots for short. These are convenient grammatical fictions and never appear as actual words themselves. Pāli shares the same roots as Sanskrit and there are about 1900 different verb roots in the traditional lists.Abridged lists can be found at: Pāli verb roots; & Sanskrit verb roots.
- A root is an element, not further analysable at the grammatical or lexical levels. It carries a basic meaning which may be very vague and general. They are usually marked by the √ symbol as in the verb root √gam = 'to go'. .
√vid | vida 'to know' vinda 'to find' vijja 'to have' vedaya 'to feel' |
- Note: Stems have specific dictionary meanings whereas roots don’t!
√gam | Verb Base |
||||
prefix |
Pres. stem |
modal infix |
Personal Ending |
||
- |
gaccha |
- |
ti |
present, 3rd per, sgl |
|
=> gacchati | (he goes) |
||||
ā |
gaccha |
eyya |
si |
present, opt 2nd per, sgl |
|
=> āgaccheyyasi | (you may come) |
The terms stem and base are often used interchangeably. But here I'm using the term base to mean the form before a personal ending, indicating number and person, has been added. A stem may become an inflectional base itself or further prefixes and infixes added to form the base upon which personal endings are attached to form actual inflected verbs.
In Pali, the process of going from root to inflected verb is complex but can be broken down into several stages.
1. root => stem
2. stem => base
3. base => inflected verb
Just as a word of warning, the term conjugation in English has the general meaning of adding tense to a verb, however, Pali grammarians use it specifically to refer to the derivation of present stems from roots! see below.
So lets go one step at a time... 1. Derivation of Pres. Stems from Roots - The Conjugations
Now the ancient Sanskrit grammarians sorted Sanskrit's verb roots into classes according to how the roots formed their present stems . With the majority identifying seven such classes (some eight). These classes are referred to as conjugation by Warder and others.Also these conjugation classes of roots are often referred to by number – 1st conjugation and so on.
Note verb tense mood/modes (see below) are also often denoted to by number so it’s easy to get muddled.
Here's a table that lists the Pali root conjugation classes. The descriptions are included for illumination only. The transformation of root to stem is convoluted and I leave it to the reader to investigate further - : Duroiselle p368, Perniola pg.75.
* –ya often assimilates and produced a (re)duplicated consonant.
The fourth is merged with the fifth; however the numbering scheme is still used as it matches that of Sanskrit.
The fourth is merged with the fifth; however the numbering scheme is still used as it matches that of Sanskrit.
What is more important, I think, for the amateur translator is to be able to identify the tenses, so the details of pres. stem formation can largely be ignored.
The important thing to note here is that the root to stem conjugations result in present stems which end in either:
-a, -nā, -e, or -o.
2. Stem to base - adding Tenses & mood
In a previous post I gave an overview of verb tense, aspect and moods or modes where I listed the various tenses and modes. To recap. In Pali there are three general time periods:- Present : refers to an action occurring at the present time.
- Past (sometimes called Aorist or preterite): refers to the general indefinite past or previously completed events. It is also used in prohibitions.
- Future : implies an action or an event that will occur at some unspecified point in the future. It can also be used to express the probable, a mild imperative.
- present on present stem
- past on aorist stem
- future on future stem
Further, several moods or modalities can be identified within each tense.
The present tense, contains:
The aorist tense in reality only has one mood, though some grammrians identify:
- the indicative, used principally to indicate that something is a statement of fact;
- the imperative, used for commands but also invitations and wishes and to form prohibitions.
- the optative, used to express possibility, probability, fitness, agreement, or permission. it can indicate a wish or hope. English has no morphological optative, but it implies 'may', 'if only' etc.
- the future indicative &
- the conditional, used in the expression of the hypothetical. In Pāli, it is rather strange, it refers to a future event which may not eventuate due to some impediment or obstruction and so is used to suggest impossibility, potential failure or non-realisation of an action.".
- aorist,
- perfect,
- imperfect
So that's a quick overview of tense and mood. The various Pali grammar guides out there use differing methods to classify verbs and employ different terminologies, so it can be hard to figure out what’s going on. Just to add to the confusion the Sanskrit grammarians often denoted their tenses by number and some Pali guides also follow this custom which can easily be confused with the root conjugation numbering.
We'll work through the tenses and mood in future posts, but for now we'll concentrate on the present tense and indicative mood, which is by far the most common.
Present Indicative Mood
The indicative mood is used to make factual statements and proclamations, express opinions, state general truths. It is by far the most commonly used verb form in the canon. It normally expresses contemporary time, but makes no distinction between simple and continous aspect, 'I walk' vs 'I am walking'. It also occasionally gets used to express recent past, close to the present time and also future, 'Certainly, I (will) go to hell'.There is also what is called the historic present, which quite common, recounting past events as though actually happening in the present. 'At that time... there is...'
3. Base to inflected verb - Present Indicative formation
Verbs in Pāli, like English, distinguish three persons - namely: 1st, 2nd & 3rd person (I, you & other). The grammatical person expressed is differentiated by a set of inflectional terminations called personal endings. The personal endings also distinguish number: singular & plural; and voice (see below).Thus these personal endings are added to a verb base allowing it to agree with its subject in number and person.
Active voice | Reflexive voice†† | ||||
---|---|---|---|---|---|
Singular | Plural | Singular | Plural | ||
3rd pers.** | -ti | -(a)nti | -te | -(a)nte, -re | |
2nd pers. | -si | -tha | -se | -vhe | |
1st pers.* | -(ā)mi | -(ā)ma | -e |
-(ā)mhe (-ā mahe, -ā mha) |
* stem endings in -a becomes -ā- before the 1st person singular and plural endings: -mi, -ma, -mhe, etc. as indicated by brackets in the table. (The other stem ending aren't effected).
** stems ending in -nā become -na before the 3rd person plural, and
†† stem ending in –e always add the infix -aya- before the reflexive endings
** stems ending in -nā become -na before the 3rd person plural, and
†† stem ending in –e always add the infix -aya- before the reflexive endings
†† Reflexive voice
First notice the two parallel tables labeled 'Active voice' and 'Reflexive voice'. If you remember, a previous post explained the difference between active voice and passive voice sentences. Well Pali inherits a third voice from Sanskrit, sometime called Middle voice (from Greek), or Reflexive voice (and even 'passive' voice by some authors because that's its name in Sanskrit but is very confusing).The reflexive endings survive as a relic from Sanskrit. Technically, the active voice implies: the subject is performing the action but is not being acted upon themselves, i.e. the action of the verb is impacting on an object different from the agent.
Jack kicked the ballReflexive voice, in principle, implies that the subject is both the actor/agent and patient of a sentence. Which means the agent themselves is being acted upon, - the action of the verb is being directed towards or being “for oneself”. Mazard suggests intransitive self-referential actions.
I went for a walk"However, you’ll be pleased to know, the distinction in meaning between active and reflexive has mostly disappeared from Pali. The endings are rarely found in prose, though examples are common in poetry. But it is just these sort of endings that are hard to identify when parsing a word.
"I know, my mind
Now remember that after conjugation, the present stems end in either:-a,-nā,-e, or -o. So if we take these stems:
For example:
the root √pac, ‘to go’, conjugates to present stem ‘ paca ’:
the root √ki, ‘to buy’, conjugates to present stem ‘ kiṇā ’:
the root √dis, ‘to teach’, conjugates to present stem ‘ dese ’
the root √kr, ‘to make’, conjugates to present stem ‘ karo ’
the root √ki, ‘to buy’, conjugates to present stem ‘ kiṇā ’:
the root √dis, ‘to teach’, conjugates to present stem ‘ dese ’
the root √kr, ‘to make’, conjugates to present stem ‘ karo ’
|
Active |
Reflexive |
||
---|---|---|---|---|
|
Singular |
Plural |
Singular |
Plural |
|
paca (cooks) |
|||
3rd pers |
pacati |
pacanti |
pacate |
pacante |
2nd pers |
pacasi |
pacatha |
pacase |
pacavhe |
1st pers |
pacāmi |
pacāma |
pace |
pacāmhe |
|
core / coraya (steals) |
|||
3rd pers |
coreti/corayati |
corenti/corayanti |
corayate |
corayante |
2nd pers |
coresi/corayasi |
coretha/corayatha |
corayase |
corayavhe |
1st pers |
coremi/corayāmi |
corema/corayāma |
coraye |
corayāmhe |
|
kiṇā (buys) |
|||
3rd pers |
kiṇāti |
kiṇanti |
kiṇāte |
kiṇante |
2nd pers |
kiṇāsi |
kiṇātha |
kiṇāse |
kiṇāvhe |
1st pers |
kiṇāmi |
kiṇāma |
kiṇe |
kiṇāmhe |
|
karo (does) |
|||
3rd pers |
karoti |
karonti |
karote |
karonte |
2nd pers |
karosi |
karotha |
karose |
karovhe |
1st pers |
karomi |
karoma |
kare |
karomhe |
Pali makes no distinction between the simple present tense and the continuous present tense, in contrast to English. For example, passati can mean both ‘He sees’ (simple present) and ‘He is seeing’ (continuous present). Similarly, pucchanti can mean both ‘They ask’ and ‘They are asking’.
in the next posts I'll follow up on the Pali Verb moods...
Comments